Festival online
Festival online

I belong to the silent minority.

I am one of those few who have nothing more from
say and wait. What? Let everything be clarified? It is unlikely.

Age has brought me the certainty that nothing can be clarified: in this country I love there is simply no truth.

Much smaller and more important countries than ours have their own unique truth, we have infinite versions of it.

The cause?

I leave it to the historians, to sociologists, to psychoanalysts, at the round tables the task of indicating the causes, I suffer the effects.

And with me a few others: because almost everyone has a solution to offer us: "their" truth, that is, something that does not conflict with their interests.
An art historian must also be invited to the round table to make him say which one
influence the Baroque may have had on our psychology.

In fact, in Italy the shortest line between two points is the arabesque.

We live in a network of arabesques.

Ennio Flaiano, The Solitude of the Satyr, Adelphi 1996

Portrait: Lockdown - a retrospective

Portrait: Laura Marzadori

First violin of the Teatro alla Scala Orchestra

26 January 2022

Portrait: Sasha Riva and Simone Repele

Dancers and choreographers

1 Sasha Riva and Simone Repele 2022

Portrait: Giovanni Franzoni

March 2020

6 Sasha Riva and Simone Repele 2022

Portrait: Sonia Prina

Contralto


11 Sasha Riva and Simone Repele 2022

Portrait: Alexandra Celi

Actress and director

15 Sasha Riva and Simone Repele 2022

Portrait: Mauro Trombetta

Artistic director and orchestra conductor


19 Sasha Riva and Simone Repele 2022

Portrait: Rita Maffei

Actress, Rita Maffei, movie director, Rita Maffei


23 Sasha Riva and Simone Repele 2022

Portrait: Veronica Cangemi

Soprano


28 Sasha Riva and Simone Repele 2022

Portrait: Claudio Farinone

Guitarist, Radio host of Italian Switzerland

4 march 2022

Portrait: Octavius ​​Ananias

Set designer, teacher

8 march 2022

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