The Venice Effect
The Venice Effect
Reflections of Venice in French and Italian Baroque dance and music
Ensemble The Third Practice
Erika Rombaldoni, Bernd Niedecken, dance
Deda Criatina Colonna, choreographic reconstructions
Giorgio Sasso, violin
Massimiliano Toni, harpsichord and musical direction
Stockholm Early Music Festival
12 September 2020, Finnish Church, ore 14 and hours 18
PROGRAM:
ANTONIO VIVALDI (1678-1741)
Sonata in D minor RV12
Long Prelude, Cheerful current
GAETANO GROSSATESTA (that. 1700-1774)
(Bass line reconstructed by Andrea Perugi)
First dance: Grave, Drunk, Passepied (1726)
Choreography by Gaetano Grossatesta
Venezia, Correr Civic Museum Library
ANTONIO VIVALDI
Sonata in D minor RV12
Giga allegro, Gavotta soon
GAETANO GROSSATESTA
(Bass line reconstructed by Andrea Perugi)
Second dance
Third dance: passepied
TOMASO ALBINONI (1671-1751)
Sonata in A minor op. VI n. 6
Grave adage, Allegro, Slowly, Allegro
ANDRÉ CAMPRA (1660-1749)
The Venetian Festivities, ballet (1710)
Entrance of a pastre and a pastourelle danced by Mr.. F. Dumoulin and M.lle Guiot at the Venetian Festivities
Choreography by Guillaume Louis Pécour
Paris 1713, National Library
ANDRÉ CAMPRA
The Venice Carnival, ballet
La Conty (The Venetian)
Choreography by Raoul Auger Feuillet
Paris 170o, National Library
TOMASO ALBINONI
Sonata in A major op. VI n. 11
Grave Adagio, Allegro, Slowly, Allegro
JEAN-BAPTISTE LULLY (1632-1687)
The Bourgeois Gentilhomme, comedy-ballet (1670)
Chaconne d’Arlequin
Choreography by Mr. Of the mountain
Paris, National Library
ANDRÉ CAMPRA
The Venice Carnival, ballet (1699)
Entrance for a woman danced by Miss Victoire at the Venice Carnival Ballet
Choreography by Guillaume Louis Pécour
Paris 1704, Opera Library-Museum
DOMENICO SCARLATTI (1685-1757)
Harpsichord sonata in A major K208
Harpsichord sonata in G major
ANONYMOUS, ARCANGELO CORELLI (1653-1713), ANTONIO VIVALDI (1678-1741)
Madness of Spain
Choreography by Raoul-Auger Feuillet
Paris 1700, National Library
And by Louis-Guillaume Pécour